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Search Results 0 to 16 of about 17 (some duplicates have been removed)
and all over the country. synthetic fields do not mandate the use of the blark carbon in fill there and there less toxic alternatives but they make more money and make the association a little less money. in san carlos they used an alternative in a field of this size, so because of the vote of the individuals of this commission today the so called gift from city foundation and rpd and the play field and the ocean view neighborhood and the soccer leagues will be receiving will give a lifelong deliberately concealed cancer risk plain and simple. thank you. >> is there any other public comment on the consent calendar? please come forward. >> good afternoon commissioners. general manager. this topic is another shining example of the progressive politics that allow the miserable status quo to survive, and it's not about what is right or wrong for the citizens and taxpayers of san francisco. it's just about getting over on them, and no matter what the issue is this commission, this recreation and park department will find a reason to go against it because that is its modus opera
put it in a dress. i cut bras with newspaper or a magazine and would use pins to make that bra. to me, it was like the silhouettes as of may be on the tv. we saw a lot of movies. so i tried to reconstitute the body of a woman. and -- >> how old were you at this point? >> i think i was around -- i was around, i was a round -- the teddy bear, i got it at 3:00, but i let him free at that time at the three years old. i let him free. i think i was around five years old that i started to take care of him. first, very important, i was -- [unintelligible] seeing on my grandmother. she had white hair. so i was putting on the the bear a little color that was kind of blue. after that, i do not know why, but i said he has to change. so it was more red, which was a strong color, too. then i try to make it black. that did not work. the texture of the paintings, because i was putting paintings on him, did not go with it. so i had to destroy it and start again. blue, red, start again. all the make up was the makeup of my grandmother. you can see an exhibition a teddy bear. i should say that he is a l
. and they're already recognized. they show some kind of people that i am not at all part of. but also, i use it may be after -- it inspired me. i love to make them all. the code of what is decent and a decent. what is elegant, not elegant. what is luxurious or not luxurious. changing to the time. >> let's talk now about one of the frontiers that you broke down. you're one of the first to do. you went into the streets of paris but not to the streets that we know that are in front of the palace but the streets with a very mixed community. in those days, even more so. and that inspired you to do collections. this was in a way breaking a parisian code, wasn't it? instead of pretending these immigrants were not there, you're actually inspired by their colors, their hair, their clothes, and you turn them into your collection. >> definitely. i was very inspired by different people always. maybe -- with me, i felt a little different. a project at school. for example, not doing football. i was more touched by people that are a little different or could be rejected. they inspire me also because i do n
, that actually was very much a reflection of what was going on when you did it. can you tell us about those madonna corset years? >> yes, it is a kind of a reflection of what is happening. also a reflection of -- [unintelligible] it means i have been educated with women. when were very important for me, my grandmother, my mother. they give me and show me threw themselves an example of what women wear. women that were strong, a clever, human. and at the same time, sometimes stronger than men. so that i realized very quickly that women could be more interesting, more clever, because of maybe education or maybe because of the fact that they have not played football, to be quiet, you know, more into things to obtain. to obtain something. they have to be 10 times more clever than the men. they have everything it themselves already at the base. >> that we already know we are 10 times more intelligent. [laughter] >> yes. i mean, like, men did not realize that most of the time. even if the need. the need, you know. so that, you know, truly, i felt the power of the woman. at the time, also like the
] and tell us about the whole business of putting sexuality on the map, as it were. when you go into the exhibition here, it is still shocking to see some of the clothes which are suggesting a kind of pervert petit, never against women. you see a lot of flash and tattoos and in the clothing. it must've been completely taboo when you started doing the mine in 1970's and early 1980's. >> i think it was, yes. it was, to be honest, all the things i did that were supposed to be provocative or maybe that make me called a bad boy to the french, because some of the journalists saw that was making jokes and things like that, provocative things. it was not as a provocation. my goal is to be known, so i have to make them be seen this way. it was more because of my reflection and also what i was seeing around me. i mean, people were thinking that i was going out a lot in going to all the parties. no, i was working, working a lot. but i have eyes on my fashion. my fashion as to see video savoy year. complete voyeur. i love to see. i tell you through tv, a lot of movies. the images make me re
on who they are, but it is not a question of color. for me, both of us were beautiful. and i loved color. color of the skin. tattoo on the skin, which is a kind of color. some blue colors that you add. and i wanted to show that. when i started, i remember that there were some beautiful girls. they're beautiful. but i felt like, ok, but there is also beauty. i have a girlfriend which was modeling for me that i met very early when i started that was from a french colony. she was beautiful and black and very inspiring, very nice. i say, yes, why not. for me, a difference was beautiful. they looked to me, and i wanted to show it. another kind of different was the fact that when i saw farida, i said, my god, she is incredible. i was very impressed by her beauty. very frightened even by her beauty. she was kind of a very arrogant imperial. and african and beauty with a special expression. not arrogant. but beautiful. i said, i want to show this girl which is different. does not know how to walk as a model. they have their own personality. i remember this year i was asking a professional model
ending than that, but i am going to use my chance just to ask one last question. do you believe that you have marked fashion history? >> it is difficult to say. is it my purpose? i do not know. i think that's everybody is marking fashion history in a way. as much as journalists because they show the people. what is fashion history? some old clothes that you can find may be in the free-market? books, magazines, newspapers? i think that i am part of that, but to think that me, i'm mark -- i do not think so. it is not exactly my purpose. it really seems very selfish to do what you love. >> i'm glad i managed more or less to silence you with my question. [laughter] i would like to say that i believe you have marked fashion history in the best way by creating clothes, which have been a mirror to society as it changed and as it happened, and you will be known for that as much as for the beauty of the close. thank you so much for giving us the chance to talk to you. [applause] >> this lodge is home to some of the best fly casting pools in the world. these shallow concrete pools don't have fish.
Search Results 0 to 16 of about 17 (some duplicates have been removed)

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